The Golden Era banjo is an accurate reproduction of the classic banjos of the 1930's made with the same materials and the same weight, design and features of the originals. It is comparable with competitive banjos costing considerably more and far more accurate to the original models than other current production banjos. For the classic sound, appearance and feel of the prized banjos from the 1930's, at a fraction of an originals' cost, the Golden Era is the premier choice. Tone: The twenty hole, bronze tone ring that is fitted to the three ply rock maple rim is an exact replica of the most sought after pot configuration of the famous1930s banjos. The cast one piece resonator flange is the exact zinc alloy with the same mass and design of the original. These are the most important tone ingredients to achieve the classic sound. The deep curly maple resonator has internally tapered sidewalls. The depth is to the exact specifications of the originals and gives that rich, hollow character that is so desirable by today's bluegrass musicians. The tapered inside walls of the resonator guide the sound out of the banjos' pot. This makes the banjo more responsive, clearer and helps highlight the bell like harmonics that banjoists need and want. Playability: The Golden Era neck duplicates the feel of the originals in neck width, depth and the taper from nut to heel. The two way adjustable truss rod is smooth, accurate and easy to use and ensures superb playability without buzzing which allows players of all styles to adjust the banjos action to their own, unique requirements. The glued in frets ensure perfect fretting accuracy, long term stability and ease of re-fretting. The natural ebony fingerboard is polished to a smooth, slick surface that is fast and easy for all left hand fingering techniques. Aesthetic / Artistry: The neck, resonator and three ply rim are all finished with Deering's renown cremona stained sunburst and super polished to a high gloss finish. The lush, rich yet transparent staining process highlights the beautiful curly maple in the neck and resonator. (The word cremona refers to the famous violin makers of Cremona, Italy whose priceless instruments were stained with this technique) The classic "hearts and flowers" mother of pearl inlays on the bound ebony fingerboard are the most requested and most popular inlay scheme created by the makers in the '30s.

Model	Golden Era 5 string Banjo
Pot	Twenty hole Deering bronze tone ring Three ply rock maple rim One piece cast flange Cremona violin stained resonator and neck Curly maple resonator Tapered internal resonator walls
Neck	Curly hard rock maple Ebony Fingerboard Hearts and flowers inlays Bound fingerboard Two way adjustable truss rod Glued in frets